Statement 

    My work investigates personal stories about being Cuban and growing up in south Florida. I view these paintings as nonlinear narratives, using biographical references as a prompt. Memory is a form of imagination directed at the past and constructed in the present. It provides a set of specific parameters for imagery but also affords opportunities to experiment with subject/object emphasis and organization within the rectangle. The slippery nature of memory lends itself to playing with ideas of spatial ambiguity, volume, flatness, elongation, and compression. I like taking something ephemeral and diaphanous and grounding it in a concrete, physical application of paint, forcing the moment into a heavy suspension.